seamless writing, real instruments on playback, clean exports. the whole editor works on its own and the assistant lives inside it for when you want it.
the editing surface notei is built on.
yes. notei knows the transposing instruments, so a trumpet or clarinet part reads the way the player expects, and the Transpose tool moves a passage to a new key.
three ways: type them with the computer keyboard, click them onto the staff with a mouse, or play them in from a MIDI keyboard. notei places notes where you mean them and keeps the staff readable as you go, so you're not stopping to fix spacing.
yes. notei opens MuseScore, MusicXML and MIDI files as a real editable score, so you keep writing where you left off instead of starting over.
yes, export it as MusicXML. MusicXML is the standard interchange format for notation, so musescore, sibelius, finale and dorico all open it. that means notei slots in next to whatever your school or ensemble already runs instead of locking your work in.
yes, and it's free on every tier. playback uses sampled real instruments rather than generic beeps, so a horn part sounds like a horn and you can actually judge whether a piece works before you hand it in.
yes. the editor is multi-instrument on every tier including Free, so you can write and hear all the parts of a band, orchestra or small group in one score. batch export of the individual parts is on the full score tier.